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	<title>Post No Ills</title>
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	<description>A New American Review...of Reviews</description>
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		<title>Beautiful Mouth and Underbelly: A Review of Iain Haley Pollock’s SPIT BACK A BOY (winner of the 2010 Cave Canem Prize)</title>
		<link>http://www.postnoills.com/main/?p=351</link>
		<comments>http://www.postnoills.com/main/?p=351#comments</comments>
		<pubDate>Wed, 02 May 2012 13:20:14 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Literature Reviews]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Cave Canem Prize]]></category>
		<category><![CDATA[francine harris]]></category>
		<category><![CDATA[Iain Haley Pollock]]></category>
		<category><![CDATA[poetry and race]]></category>
		<category><![CDATA[Spit Back a Boy]]></category>
		<category><![CDATA[University of Georgia Press]]></category>

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		<description><![CDATA[Pollock, Iain Haley. Spit Back a Boy. Athens, Georgia: U of Georgia P, 2011. 78 pp. 16.95 (paper). [view title on Goodreads.com] Reviewed by francine j. harris In his debut collection Spit Back a Boy, Iain Haley Pollock delivers an evocative and graceful body of work tangled in questions about maturity and playfulness, solitude and [...]]]></description>
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		<item>
		<title>Can She Get a Witness?: Five Questions for Sarah Browning</title>
		<link>http://www.postnoills.com/main/?p=324</link>
		<comments>http://www.postnoills.com/main/?p=324#comments</comments>
		<pubDate>Sat, 28 Jan 2012 14:30:52 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Art and Politics]]></category>
		<category><![CDATA[Arts Education]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[D.C.]]></category>
		<category><![CDATA[DC Poets Against the War]]></category>
		<category><![CDATA[June Jordan]]></category>
		<category><![CDATA[Sarah Browning]]></category>
		<category><![CDATA[Split This Rock]]></category>
		<category><![CDATA[Washington]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=324</guid>
		<description><![CDATA[With its name adopted from the lines of Langston Hughes’ impelling poem “Big Buddy,” the Split This Rock foundation will host its third biennial “Poetry of Provocation and Witness” conference March 21st through 25th of this year in Washington, D.C. [Click here to link to the conference schedule.] In this installment of our “Five Questions” conversations [...]]]></description>
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		<item>
		<title>Insides Out: A Review of PARIAH</title>
		<link>http://www.postnoills.com/main/?p=289</link>
		<comments>http://www.postnoills.com/main/?p=289#comments</comments>
		<pubDate>Wed, 18 Jan 2012 04:10:40 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Adepero Oduye]]></category>
		<category><![CDATA[Dee Dee Rees]]></category>
		<category><![CDATA[Film Review]]></category>
		<category><![CDATA[Jasmin Greene]]></category>
		<category><![CDATA[Kim Wayans]]></category>
		<category><![CDATA[Pariah]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=289</guid>
		<description><![CDATA[Pariah (2011, Focus) [watch trailer] 1h, 26mins Writer &#38; Director: Dee Dee Rees Starring: Adepero Oduye, Kim Wayans, Aasha Davis Reviewed by Jasmin S. Greene Ridiculed by peers. Shunned from society. Denied basic human rights. This isn’t a scene from the Antebellum South or even the not so distant Civil Rights Era.  This is the [...]]]></description>
		<wfw:commentRss>http://www.postnoills.com/main/?feed=rss2&amp;p=289</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Gratitude is Another Word for Joy”: A Review of Emma Trelles’ TROPICALIA (Winner of the Andrés Montoya Poetry Prize)</title>
		<link>http://www.postnoills.com/main/?p=268</link>
		<comments>http://www.postnoills.com/main/?p=268#comments</comments>
		<pubDate>Fri, 12 Aug 2011 12:51:07 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Literature Reviews]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Andrés Montoya Poetry Prize]]></category>
		<category><![CDATA[Emma Trelles]]></category>
		<category><![CDATA[Khadijah Queen]]></category>
		<category><![CDATA[Tropicalia]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=268</guid>
		<description><![CDATA[Trelles, Emma. Tropicalia. South Bend: U of Notre Dame P, 2010. 56 pp.  $15 (paper). [View title on Goodreads] Reviewed by Khadijah Queen “The beginning should eat the eyes,” opens “How to Write a Poem: Theory #62,” though Tropicalia does anything but. It gives us instead an ultrasensitive pair of eyes in addition to our [...]]]></description>
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		</item>
		<item>
		<title>Black Acrobatics: A Review of Evie Shockley’s THE NEW BLACK</title>
		<link>http://www.postnoills.com/main/?p=254</link>
		<comments>http://www.postnoills.com/main/?p=254#comments</comments>
		<pubDate>Tue, 21 Jun 2011 14:08:23 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Literature Reviews]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Evie Shockley]]></category>
		<category><![CDATA[Reginald Dwayne Betts]]></category>
		<category><![CDATA[the new black]]></category>
		<category><![CDATA[Wesleyan University Press]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=254</guid>
		<description><![CDATA[Shockley, Evie. the new black: poems. Middletown: Wesleyan University Press, 2011. 128 pp. $22.95 (cloth). [View title on Goodreads] Reviewed by Reginald Dwayne Betts “You are my shelter from the storm/ and the storm,” writes Evie Shockley in “ode to blackness.” This couplet speaks directly to the conundrum that drives this devastatingly beautiful collection: black [...]]]></description>
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		</item>
		<item>
		<title>Plural Like the Universe: Jenny Browne’s THE SECOND REASON</title>
		<link>http://www.postnoills.com/main/?p=243</link>
		<comments>http://www.postnoills.com/main/?p=243#comments</comments>
		<pubDate>Fri, 20 May 2011 01:27:04 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Literature Reviews]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Jenny Browne]]></category>
		<category><![CDATA[The Second Reason]]></category>
		<category><![CDATA[Yvette Neisser Moreno]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=243</guid>
		<description><![CDATA[Browne, Jenny. The Second Reason. Tampa: U of Tampa P, 2007. 85pp. $12 (paper). [View title on Goodreads] Reviewed by Yvette Neisser Moreno Jenny Browne’s latest book, The Second Reason, opens with a quote by Fernando Pessoa: “Be plural like the universe.” Her book fulfills this daunting mission. Browne’s poems—which are highly original and defy [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Icing on the Cake: An Interview with Paige Hernandez</title>
		<link>http://www.postnoills.com/main/?p=224</link>
		<comments>http://www.postnoills.com/main/?p=224#comments</comments>
		<pubDate>Sun, 10 Apr 2011 20:46:29 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Arts Education]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Havana Hop]]></category>
		<category><![CDATA[Hip Hop Education]]></category>
		<category><![CDATA[Hip Hop Theatre]]></category>
		<category><![CDATA[Paige Hernandez]]></category>
		<category><![CDATA[Paige in Full]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=224</guid>
		<description><![CDATA[Math and theatre are two things many Americans aren’t too keen on, but add to the mixture a little hip hop and you’ve got Paige Hernandez—teacher, dancer, playwright, actress and performer of the one-woman show Paige in Full. Hernandez’s show tells the story of a multiethnic (Cuban, Chinese and Afro-American) girl growing up in Baltimore [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Inside Out: Paul Martinez Pompa’s MY KILL ADORE HIM and Julia Story’s POST MOXIE</title>
		<link>http://www.postnoills.com/main/?p=207</link>
		<comments>http://www.postnoills.com/main/?p=207#comments</comments>
		<pubDate>Wed, 16 Mar 2011 15:06:16 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Literature Reviews]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andrés Montoya Poetry Prize]]></category>
		<category><![CDATA[Julia Story]]></category>
		<category><![CDATA[Kathryn A. Morton Prize in Poetry]]></category>
		<category><![CDATA[My Kill Adore Him]]></category>
		<category><![CDATA[Paul Martinez Pompa]]></category>
		<category><![CDATA[Post Moxie]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=207</guid>
		<description><![CDATA[Reviewed by Raina Leon Martínez Pompa, Paul. My Kill Adore Him. South Bend: University of Notre Dame Press, 2009. 66pp. ISBN:  9780268035181. $15.00 (paper). Story, Julia. Post Moxie Louisville: Sarabande Books, 2010. 77pp. ISBN:  9781932511840. $14.95 (paper). [ View titles on goodreads (My Kill Adore Him) (Post Moxie) ] One might define agency as the [...]]]></description>
		<wfw:commentRss>http://www.postnoills.com/main/?feed=rss2&amp;p=207</wfw:commentRss>
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		</item>
		<item>
		<title>Post-Power: A Review of NIGHT CATCHES US</title>
		<link>http://www.postnoills.com/main/?p=188</link>
		<comments>http://www.postnoills.com/main/?p=188#comments</comments>
		<pubDate>Thu, 23 Dec 2010 02:32:48 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Anthony Mackie]]></category>
		<category><![CDATA[Black Panther Party]]></category>
		<category><![CDATA[Jasmin Greene]]></category>
		<category><![CDATA[Kerry Washington]]></category>
		<category><![CDATA[Night Catches Us]]></category>
		<category><![CDATA[Tanya Hamilton]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=188</guid>
		<description><![CDATA[Night Catches Us (2010, Simon Says / Gigantic) 1h, 28mins Writer &#38; Director: Tanya Hamilton Starring: Anthony Mackie, Kerry Washington, Wendell Pierce, Jamie Hector Reviewed by Jasmin S. Greene Exposure to artworks exploring the black power movement with vivid imagery of black panthers is not completely uncommon. Many have become familiar with free breakfast programs, [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Love in the Age of Digital Media: Inside the Man&#8217;s Guide to Love</title>
		<link>http://www.postnoills.com/main/?p=173</link>
		<comments>http://www.postnoills.com/main/?p=173#comments</comments>
		<pubDate>Wed, 08 Dec 2010 18:34:49 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Abe Greenwald]]></category>
		<category><![CDATA[Jennifer Flackett]]></category>
		<category><![CDATA[Jesse Porter]]></category>
		<category><![CDATA[Lance Roberts]]></category>
		<category><![CDATA[Man's Guide to Love]]></category>
		<category><![CDATA[Mark Levin]]></category>
		<category><![CDATA[MGL]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=173</guid>
		<description><![CDATA[___As a man, a man lucky enough to have a number of female friends and associates, I am often amazed and perplexed by the amount of time women spend trying to ascertain what goes on inside the minds of men. It is fairly simple, as far as I’m concerned, but rather than opening my assessment [...]]]></description>
		<wfw:commentRss>http://www.postnoills.com/main/?feed=rss2&amp;p=173</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Blueprint to a Listening: A Partial Guide to the Poetic Landscape of John Murillo’s UP JUMP THE BOOGIE</title>
		<link>http://www.postnoills.com/main/?p=152</link>
		<comments>http://www.postnoills.com/main/?p=152#comments</comments>
		<pubDate>Mon, 22 Nov 2010 20:15:56 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Dwayne Betts]]></category>
		<category><![CDATA[Hip-hop and Poetry]]></category>
		<category><![CDATA[John Murillo]]></category>
		<category><![CDATA[Poetic Form]]></category>
		<category><![CDATA[Up Jump the Boogie]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=152</guid>
		<description><![CDATA[By Reginald Dwayne Betts This is not a review, more appreciation than critique. The poems in John Murillo’s debut collection Up Jump the Boogie represent a mashing of craft and life&#8212;where the eye is brave enough to make art out of memory and anguish, the beautiful and the scarred. There is an awareness in this [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Decisions, Decisions: Six Questions for Carl Phillips</title>
		<link>http://www.postnoills.com/main/?p=141</link>
		<comments>http://www.postnoills.com/main/?p=141#comments</comments>
		<pubDate>Tue, 28 Sep 2010 16:44:20 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Art and Politics]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Carl Phillips]]></category>
		<category><![CDATA[Poetry Prizes]]></category>
		<category><![CDATA[POST NO ILLS]]></category>
		<category><![CDATA[Yale Series of Younger Poets]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=141</guid>
		<description><![CDATA[In 2010, poet Carl Phillips agreed to become the next judge of the prestigious Yale Series of Younger Poets. Author of In the Blood, Phillips represents a transfusion of critical vitality into the ninety-year-old literary institution. In this brief interview, he discusses his expectations of books worthy of the Yale Younger Prize as well as [...]]]></description>
		<wfw:commentRss>http://www.postnoills.com/main/?feed=rss2&amp;p=141</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Running Man: A Review of Christian Campbell&#8217;s RUNNING THE DUSK</title>
		<link>http://www.postnoills.com/main/?p=125</link>
		<comments>http://www.postnoills.com/main/?p=125#comments</comments>
		<pubDate>Sun, 12 Sep 2010 18:34:44 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Literature Reviews]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Christian Campbell]]></category>
		<category><![CDATA[Peepal Tree Press]]></category>
		<category><![CDATA[Raina León]]></category>
		<category><![CDATA[Running the Dusk]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=125</guid>
		<description><![CDATA[Campbell, Christian. Running the Dusk. Leeds: Peepal Tree, 2010. 81 pp. $16.95 (paper). [View title on Goodreads.com] Reviewed by Raina León A crossroads is a place of power, steeped in mystique. Christian Campbell’s first collection of poetry, Running the Dusk, does not simply enter the crossroads of light and shadow; it dances, twisting a magic [...]]]></description>
		<wfw:commentRss>http://www.postnoills.com/main/?feed=rss2&amp;p=125</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Imagined Architecture: A Review of Kiki Petrosino&#8217;s FORT RED BORDER</title>
		<link>http://www.postnoills.com/main/?p=122</link>
		<comments>http://www.postnoills.com/main/?p=122#comments</comments>
		<pubDate>Sun, 18 Jul 2010 17:17:20 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Literature Reviews]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Fort Red Border]]></category>
		<category><![CDATA[Kiki Petrosino]]></category>
		<category><![CDATA[POST NO ILLS]]></category>
		<category><![CDATA[Sarabande]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=122</guid>
		<description><![CDATA[[View title on Goodreads.com] Petrosino, Kiki. Fort Red Border. Louisville: Sarabande Books, 2009. 88 pp. $14.95 (paper). Reviewed by DéLana Dameron From her statement in the collection&#8217;s acknowledgments, Kiki Petrosino wants to make clear that her poems in Fort Red Border &#8220;describe things that are entirely imaginary [and] do not describe [...] actual persons&#8221; (Petrosino, x). [...]]]></description>
		<wfw:commentRss>http://www.postnoills.com/main/?feed=rss2&amp;p=122</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>D.C. as Literary Reflecting Pool: Five Questions for Carmen Gillespie</title>
		<link>http://www.postnoills.com/main/?p=121</link>
		<comments>http://www.postnoills.com/main/?p=121#comments</comments>
		<pubDate>Sun, 13 Jun 2010 04:58:43 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Art and Politics]]></category>
		<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Cane]]></category>
		<category><![CDATA[Carmen Gillespie]]></category>
		<category><![CDATA[Clotel]]></category>
		<category><![CDATA[D.C.]]></category>
		<category><![CDATA[D.C. and the African American Literary Imagination]]></category>
		<category><![CDATA[Jean Toomer]]></category>
		<category><![CDATA[Jim Jones]]></category>
		<category><![CDATA[Jonestown]]></category>
		<category><![CDATA[Jonestown A Vexation]]></category>
		<category><![CDATA[mixed race identity]]></category>
		<category><![CDATA[POST NO ILLS]]></category>
		<category><![CDATA[Tragic Mulatto]]></category>
		<category><![CDATA[Washington]]></category>
		<category><![CDATA[William Wells Brown]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=121</guid>
		<description><![CDATA[Literary scholar and poet Carmen Gillespie asks us to consider the significance of the United States capital in African-American literature at a time when America is still learning how to read its first African-American lead political protagonist. Dr. Gillespie also discusses the role that poetry can play in reshaping the perception of national traumas such [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>American Woman: Erykah Badu and the Return of the Ankh</title>
		<link>http://www.postnoills.com/main/?p=120</link>
		<comments>http://www.postnoills.com/main/?p=120#comments</comments>
		<pubDate>Thu, 15 Apr 2010 00:06:50 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Music Reviews]]></category>
		<category><![CDATA[Erykah Badu]]></category>
		<category><![CDATA[Furthermucker]]></category>
		<category><![CDATA[Miles Marshall Lewis]]></category>
		<category><![CDATA[New Amerykah]]></category>
		<category><![CDATA[Return of the Ankh]]></category>
		<category><![CDATA[Window Seat]]></category>

		<guid isPermaLink="false">http://www.postnoills.com/main/?p=120</guid>
		<description><![CDATA[By Miles Marshall Lewis As an occasional fiction editor, I&#8217;ve seen my share of short stories starring female protagonists variously described as black versions of the Icelandic avant-garde singer, Björk. In the real world outside the land of literature, the closest thing we have to that ideal in R&#38;B is Dallas&#8217;s own Erykah Badu, as evidenced most recently by [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Like a Moth to a Flame: Pain and Release in Patrick Rosal’s MY AMERICAN KUNDIMAN</title>
		<link>http://www.postnoills.com/main/?p=119</link>
		<comments>http://www.postnoills.com/main/?p=119#comments</comments>
		<pubDate>Fri, 29 Jan 2010 13:18:56 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Literature Reviews]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Jonas Holdeman]]></category>
		<category><![CDATA[Kundiman]]></category>
		<category><![CDATA[My American Kundiman]]></category>
		<category><![CDATA[Pat Rosal]]></category>
		<category><![CDATA[Patrick Rosal]]></category>
		<category><![CDATA[POST NO ILLS]]></category>

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		<description><![CDATA[[View title on Goodreads.com] Rosal, Patrick. My American Kundiman. New York: Persea Books, 2006. 65 pp. $13.95 (paper). Reviewed by Jonas Holdeman The attraction of our primordial cycle of pain-and-release&#8212;like a child probing a loose tooth&#8212;is what pulls me into the poems in Patrick Rosal&#8217;s second book, My American Kundiman.  Reading &#8220;Beast&#8221; from the first section of the collection, and one [...]]]></description>
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		<title>“The Beauty of Troubled Tongues”: A Review of Crystal Williams&#8217; TROUBLED TONGUES</title>
		<link>http://www.postnoills.com/main/?p=118</link>
		<comments>http://www.postnoills.com/main/?p=118#comments</comments>
		<pubDate>Fri, 22 Jan 2010 15:32:51 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Literature Reviews]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Crystal Williams]]></category>
		<category><![CDATA[Naomi Long Madgett Poetry Award]]></category>
		<category><![CDATA[Oregon Book Award]]></category>
		<category><![CDATA[Troubled Tongues]]></category>

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		<description><![CDATA[[View title on goodreads.com] Williams, Crystal. Troubled Tongues. Detroit: Lotus Press, 2009. 75 pp. $18.00 (paper). Reviewed by L. Lamar Wilson Shake it loose, baby, double head, double tongue. By the time readers get to guidelines thirteen and twenty-four from Crystal Williams&#8217; &#8220;How to Become a Black Woman&#8221; in the final section of Troubled Tongues, [...]]]></description>
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		<title>POST NO ILLS Editor Kyle G. Dargan Featured on The DC Place</title>
		<link>http://www.postnoills.com/main/?p=117</link>
		<comments>http://www.postnoills.com/main/?p=117#comments</comments>
		<pubDate>Sun, 13 Dec 2009 18:21:04 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Kyle Dargan]]></category>
		<category><![CDATA[The DC Place]]></category>

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		<description><![CDATA[VISIT THE DC PLACE]]></description>
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		<title>A Dark Warmth: A Review of MISSISSIPPI DAMNED</title>
		<link>http://www.postnoills.com/main/?p=115</link>
		<comments>http://www.postnoills.com/main/?p=115#comments</comments>
		<pubDate>Mon, 12 Oct 2009 05:01:18 +0000</pubDate>
		<dc:creator>editor</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[dd new tag]]></category>
		<category><![CDATA[Mississippi Damned]]></category>
		<category><![CDATA[Tina Mabry]]></category>

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		<description><![CDATA[Reviewed By Nijla Mumin Mississippi Damned (2009) [ Movie Website ] Written and Directed by Tina Mabry Runtime: 120 Minutes Mississippi Damned, written and directed by Tina Mabry, carves out an expansive visual presence with its bold and layered portrayal of a black family in Mississippi. The film follows two generations, spanning the years of [...]]]></description>
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